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Sizes & prices
| Size | Artwork only | With framing | Framing + acrylic |
|---|---|---|---|
| 77×54 cm | USD 120 | USD 210 | USD 243 |
Product details
Year of work: 1931
The colorful and richly varied green series of "Xin 'an" is filled with full maps. Like the detailed depiction of various plants in the study of plant atlas, it winds its way along the carefully constructed hills, densely but not chaotically attracting every inch of the viewer's gaze. The author spares no details, but also pays attention to the fluidity of the whole drink. Like a folklore documentary painting, Guo Xuehu takes a wide-angle view, rubbing the distance between reality and imagination, and placing the worship stairs, red railing, Shibayama Rock Pass Gate, and Huiji Palace, which can not be seen at the same time, together in the picture. These landscapes still exist after nearly 80 years of experience. As for the historical signs of "worship monuments", "stone palace lights" and other symbols of Japan's ruling power, they have now disappeared. (Excerpt: Lin Yuchun/Collection Catalogue 2009)
Features
Through high-resolution digital image capture, professional color management technology, high-tech image cloth printing, and original nanotechnology ink guarantee, this product has passed the weather resistance test - moisture resistance, temperature difference resistance, and light damage resistance.
Each item comes with a hardcover collection warranty, which details information about the item in both Chinese and English.
Paper & medium
Xuanying printing fabric
About the artist
Guo Xuehu was born in Dadaocheng, Taipei. In his early years, he followed Chen Yingsheng's practice of Chinese painting and watercolor, and also studied painting from Cai Xuexi. Later, he followed the ancients of the township. He paid attention to sketching, especially to the observation of Taiwanese trees and rocks, with strong glue color to express the unique local scenery, and used it to shine in the pre-war official art exhibition. In 1964, he moved to Japan, taking landscape and still life as the creative theme, and was influenced by Western painting, emphasizing three-dimensional performance. After that, Guo Xuehu moved to the United States, still focusing on landscape creation.