Artwork inventory * The mounting and framing process is time-consuming and labor-intensive. Please allow 3–4 weeks for your order and thank you for your patience.

Title: On a Windy Day, I Thought It Was a Stone Artwork medium: Copperplate etching Year created: 2025

Edition: 20 in total, signed by the artist. This series is titled On a Windy Day.

By depicting grassland in its many different forms, I express a sense of distance, perspective, and varying weather conditions. At first glance, each work seems to exist independently, but the arrangement of the images and the connections between their patterns create the impression that they all come from the same stretch of grassland. At the same time, the slightly abstract images evoke a sense of ambiguity, haziness, and uncertainty. To me, creating art is like moving back and forth through a contradictory gray area.

Oscillating between figuration and abstraction, creating softness within hardness, and wandering between sky and earth. Even with uncertainty always present, a certain consistency can still be felt, which I find fascinating. I think this is precisely the romance of art, and the romance I aspire to.

I first became interested in grass because I was drawn to one of its qualities: on a grassy surface, whatever object is placed there or whatever happens seems somehow reasonable and acceptable. Recently, I've gradually come to realize that this quality may be connected to the “gray areas” and “distance” I repeatedly contemplate in my work.

From a distance, the grass looks like a soft blanket, especially on windy days. Up close, or when walking through it, however, it feels prickly and may even cause injury in some cases.

Paper size: 280(H) x 265 mm Image dimensions: 230 x 190 mm Dimensions including mounting and frame: 400 x 400mm * Please message us to discuss any other ideas.

Mounting method: basic mounting + mat board (a window mat is placed in front of the work, covering approximately 2mm along one edge of the paper so that only part of the paper is visible)

* The artwork will be mounted flat on a backing board to prevent it from warping due to moisture.

* If you upgrade to acid-free mat board, acid-free adhesive dots will be used to hold the print in place; it can still be separated from the backing board and removed.

Mounting example: (the photo shows a maple frame) About the artist / Wang Wen-Ling Born in Taichung, Taiwan, in 2001.

2020–2025: Bachelor of Fine Arts, Department of Fine Arts, National Taiwan University of Arts. 2024–2025: exchange student in painting at Okinawa Prefectural University of Arts.

The work often inhabits the gray area of contradictions between imagery and the language of materials, constantly moving back and forth between figuration and abstraction, creating softness within hardness, and lingering between sky and earth.

Exhibition history ------------

2020: Gaps of Light, exhibition by the National Taiwan University of Arts class of 2020 at the National Taiwan University School of Dentistry, Taipei, Taiwan.

2021: National Large-Scale Oil Painting Exhibition, Taichung City Seaport Art Center, Taichung, Taiwan. 2023: Soul Dialogue, Banqiao 435 Art Zone, New Taipei City, Taiwan.

2024: Mountains, Mountains, Mountains, Mountains, Mountains, Mountains, group exhibition, Nineteen Acres Art, Taipei, Taiwan.

2024: 39th New Year Prints: Dragon Soars and Blessings Gather, special Year of the Dragon exhibition, National Taiwan Museum of Fine Arts, Taichung, Taiwan.

2024: National Taiwan University of Arts Department of Fine Arts 2023 faculty and student exhibition, Department of Fine Arts Building, New Taipei City, Taiwan.

2024: College of Fine Arts joint graduation exhibition, National Taiwan University of Arts, Exhibition Hall 2, New Taipei City Arts Center, New Taipei City, Taiwan.

2024: Red Tide Sounds / Floating, graduation exhibition of the National Taiwan University of Arts Department of Fine Arts class of 2020, North Art Village and Fine Arts Building, New Taipei City, Taiwan.

2025: 40th New Year Prints: Colorful Snakes, special Year of the Snake exhibition, National Taiwan Museum of Fine Arts, Taichung, Taiwan.

2025: Crossing Exhibition: 23 Minutes 18 Seconds, second- and third-year oil-painting progression exhibition, Okinawa Prefectural University of Arts, Urasoe Art Museum, Okinawa, Japan.

2025: 24th Print Picture Postcard Competition Exhibition, Hijikawa Wind Museum and Utamaro Museum, Ōzu City, Ehime, Japan.

2025: TEXTURE Print Studio International Exchange Program, Floating Life Image Studio, Tainan, Taiwan.

Awards 2021: selected for the National Large-Scale Oil Painting Exhibition.

2023: selected for the 39th New Year Prints competition, Dragon Soars and Blessings Gather, for the Year of the Dragon, Taiwan.

2024: selected for the 40th New Year Prints competition, Colorful Snakes, for the Year of the Snake, Taiwan.

2025: selected for the 41st New Year Prints competition for the Year of the Horse, Taiwan.

Medium: copperplate etching.

The work moves through ambiguous territory between imagery and material language, shifting between representation and abstraction, creating softness within hardness, and hovering between sky and earth.

2020–2025: Bachelor of Fine Arts, Department of Fine Arts, National Taiwan University of Arts.

2024–2025: exchange student in painting at Okinawa Prefectural University of Arts.

The work often inhabits the gray area of contradictions between imagery and the language of materials, constantly moving back and forth between figuration and abstraction, creating softness within hardness, and lingering between sky and earth.

2020: Gaps of Light, exhibition by the National Taiwan University of Arts class of 2020 at the National Taiwan University School of Dentistry, Taipei, Taiwan.

2021: National Large-Scale Oil Painting Exhibition, Taichung City Seaport Art Center, Taichung, Taiwan.

2023: Soul Dialogue, Banqiao 435 Art Zone, New Taipei City, Taiwan.

2024: Mountains, Mountains, Mountains, Mountains, Mountains, Mountains, group exhibition, Nineteen Acres Art, Taipei, Taiwan.

2024: 39th New Year Prints: Dragon Soars and Blessings Gather, special Year of the Dragon exhibition, National Taiwan Museum of Fine Arts, Taichung, Taiwan.

2024: National Taiwan University of Arts Department of Fine Arts 2023 faculty and student exhibition, Department of Fine Arts Building, New Taipei City, Taiwan.

2024: College of Fine Arts joint graduation exhibition, National Taiwan University of Arts, Exhibition Hall 2, New Taipei City Arts Center, New Taipei City, Taiwan.

2024: Red Tide Sounds / Floating, graduation exhibition of the National Taiwan University of Arts Department of Fine Arts class of 2020, North Art Village and Fine Arts Building, New Taipei City, Taiwan.

2025: 40th New Year Prints: Colorful Snakes, special Year of the Snake exhibition, National Taiwan Museum of Fine Arts, Taichung, Taiwan.

2025: Crossing Exhibition: 23 Minutes 18 Seconds, second- and third-year oil-painting progression exhibition, Okinawa Prefectural University of Arts, Urasoe Art Museum, Okinawa, Japan.

2025: 24th Print Picture Postcard Competition Exhibition, Hijikawa Wind Museum and Utamaro Museum, Ōzu City, Ehime, Japan.

2025: TEXTURE Print Studio International Exchange Program, Floating Life Image Studio, Tainan, Taiwan.

2023: selected for the 39th New Year Prints competition, Dragon Soars and Blessings Gather, for the Year of the Dragon, Taiwan.

2024: selected for the 40th New Year Prints competition, Colorful Snakes, for the Year of the Snake, Taiwan.

2025: selected for the 41st New Year Prints competition for the Year of the Horse, Taiwan.