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Artwork title: On a Windy Day, Ripples Spread
Medium: copperplate etching.
Year: 2025
Edition of 20, signed by the artist.
Paper size: 135(H) x195 mm
Image size: 70 x 130 mm
Mounted size including frame: 300x300mm
* Please message us to discuss any other ideas.
Mounting method: basic mounting + matboard (a window mat is placed in front of the work, covering approximately 2 mm along one edge of the paper so that part of the paper remains visible).
* The artwork will be mounted flat on a backing board to prevent it from warping due to moisture.
* If you upgrade to acid-free matboard, acid-free adhesive dots will hold the print in place; the print can still be separated from the backing board and removed.
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This series is titled On Windy Days.
By depicting the many different appearances of grassland, I explore distance, viewpoints, and changing weather. At first glance, each work seems to exist independently, but the arrangement of the images and the connections between their patterns suggest that they come from the same stretch of grassland. The slightly abstract imagery also creates an ambiguous, hazy sense of uncertainty. For me, making art is like moving back and forth through the gray areas of contradiction.
I move between figuration and abstraction, create softness within hardness, and wander between sky and earth. Even amid constant uncertainty, a sense of consistency remains. I find this fascinating. To me, this is the romance of art, and the kind of romance I seek.
My initial interest in grassland came from one particular quality: whatever is placed there, and whatever happens there, seems reasonable and acceptable. Recently, I have begun to realize that this quality may be connected to the gray areas and distances I repeatedly consider in my work.
From a distance, grassland looks like a soft blanket, especially on windy days. Yet when you approach it or walk into it, it feels prickly and, in some circumstances, can even cause injury.
Artist Introduction/Wang, Wen-Ling
Creativity walks in the gray areas of contradiction between image and media vocabulary, always pulling back and forth between figurative and abstract, creating softness in the hard, and wandering between the sky and the earth.
The medium is mostly etching with copper plates, and her works are good at expressing the layers of "fine, atomized, and tactile".
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2001 Born in Taichung, Taiwan
2020-2025 Bachelor of Fine Arts, National Taiwan University of the Arts
2024-2025 Okinawa Prefectural University of the Arts Painting Exchange Program
Exhibition Experience
2020 Luminous Gap - National Taiwan University of the Arts, Level 109, NTU School of Dentistry, Department of Dentistry, NTU, Taipei, Taiwan
2021 National No. 100 Oil Painting Exhibition, Taichung City Minato-ku Art Center, Taichung, Taiwan
2023 Soul Dialogue, Banqiao 435 Arts District, New Taipei, Taiwan
2024 Mountain Mountain Mountain Mountain Creative Joint Exhibition, Picking Up Nine Acres of Art, Taipei, Taiwan
2024 The 39th Printed New Year Painting of the Republic of China - Long Tenfu Ju Long New Year Painting Special Exhibition, National Taiwan Museum of Art, Taichung, Taiwan
2024 Taiwan University of the Arts, Faculty of Fine Arts, 112th Annual Faculty and Student Art Exhibition, Department of Fine Arts, Taiwan University of the Arts, New Taipei, Taiwan
2024 Joint Graduation Exhibition of the School of Fine Arts, National Taiwan University of the Arts, New Taipei Arts Center, Exhibition Hall 2, New Taipei, Taiwan
2024 National Taiwan University of the Arts, Department of Fine Arts, Level 109, Daytime Department Graduation Exhibition, Red Tide Sound | Floating, National Taiwan University of the Arts, North Side Art Settlement, Fine Arts Building, New Taipei, Taiwan
2025 The 40th Edition of the Republic of China New Year Painting: Snake Colorful - Snake New Year Painting Special Exhibition, National Taiwan Museum of Art, Taichung, Taiwan
2025 Okinawa Prefectural University of the Arts Painting Specializing in Oil Painting 2 • Grade 3 Advancement Exhibition 23 minutes and 18 seconds, Urasaki City Museum of Art, Okinawa, Japan
2025 The 24th Print Painting Postcard Contest Exhibition, Ozu City Museum of Brachikawa Style, Utamarokan, Ehime, Japan
2025 texture print studio international exchange project, floating image institute, tainan, taiwan
Awards
2021 National No. 100 Oil Painting Exhibition_Selected
2023 The 39th Printed New Year Painting of the Republic of China - Long Tengfu Julong New Year Painting Selection_Selected
2024 Republic of China 40th Edition New Year Painting: Snake Colorful - Snake New Year Painting Selection_Selected
2025 Republic of China 41st Edition New Year Painting: Horse New Year Painting Selection_Selected