

THE LIGHTO EDIT
A little art
changes everything.
Thoughtful works by artists near and far, chosen for the spaces we call home.
EXPLORE THE COLLECTIONMeet the artists and find the piece that feels like yours.
LIGHTO TO MEET YOUFIND YOUR POINT OF VIEW
A place to begin.
Landscapes, abstract forms, and everyday beauty.
THE COLLECTION
Art to live with
Browse the works from LIGHTO's authorized artists.
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THE PEOPLE BEHIND THE ART
Meet the artists
From established names to new perspectives, discover the makers in the LIGHTO collection.
Sizes & prices
| Size | Artwork only | With framing | Framing + acrylic |
|---|---|---|---|
| 30×42 cm | USD 43 | USD 96 | USD 113 |
| 50×72 cm | USD 93 | USD 173 | USD 206 |
| 60×86 cm | USD 130 | USD 243 | USD 280 |
Product details
* Photographic paper only (without framing): ships in 3–5 business days.
*If you choose mounting and framing: the process is time-consuming and labor-intensive, so please allow 2–3 weeks for your order and be patient.
Artwork dimensions:
Small size: 30 x 42 cm
Medium: 50 x 72 cm
Large size: 60 x 86 cm
* Please message us about other sizes.
Giclée on etching art paper
Hanging method:
Every aluminum frame has a hanging wire on the back. To hang it, you can attach a 3M damage-free hook to the wall (please purchase a version rated for at least 5 kg for safety).
* The original is a woodcut, which gives the marks a rougher texture.
Artwork: “Yasaka Shrine After Snowfall”
Itō Takashi (1894–1982) was born in Hamamatsu, Shizuoka Prefecture. He studied at the Tokyo School of Fine Arts and in the private studio of Kaburaki Kiyokata. Kaburaki was a traditional master of Japanese painting and had close ties to the print publisher Watanabe Shōzaburō. His studio later became a “talent pool” where Watanabe found promising young artists; many artists aspiring to work under Watanabe came from there.
Takashi became one of Watanabe’s artists. From the 1920s—his first work appeared in 1922—through the 1930s and into the postwar period, he created approximately 50 landscape prints for Watanabe’s publishing house. Watanabe regarded Takashi Ito as one of his “high-end” designers alongside Kawase Hasui and Ito Shinsui; most of their works were published in oban or larger formats.
Takashi’s landscape prints have a strong sense of solitary romance, recalling 19th-century German paintings and prints. Like Kawase Hasui, he rarely included many figures in his compositions, giving the works an atmosphere that feels both mysterious and melancholy. Rather than the flat, single-color areas common in ukiyo-e, Takashi Ito’s prints make extensive use of color gradation, producing an effect closer to painting than to traditional woodblock printing. Achieving this effect requires highly skilled carvers and printers working together.
