Guoxue Lake | Near Yuanshan (Popular version)
From USD 120
Portraits · Architecture & Objects
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| Size | Artwork only | With framing | Framing + acrylic |
|---|---|---|---|
| 84×47.3 cm | USD 120 | USD 210 | USD 243 |
Product details
Year of work: 1928
"Near Maruyama" is a special selection of Oriental paintings for the second Taiwan exhibition. Its content is complex, the composition is rigorous, the pen is dense, and the color is subtle. The spatial relationship between the shade of the trees and the rocks is clear, the air can flow between them, and the green halo seems to have dozens of hue changes, rich in layers, and the atmosphere is charming. The trail meanders into the depths of flowers and trees, and several vermilion chicken crowns contrast harmoniously. The vegetable garden under the hill, the young woman farming alone, the belt seems to be red, a little red in the green bush. The works show a strong personal taste and the unique landscape of mountains and greenery in Taiwan, which is different from traditional Chinese heavy color painting and Japanese Oriental painting. (Excerpt: Lin Yuchun/25 Years of Collection Essence)
Features
Through high-resolution digital image capture, professional color management technology, high-tech image cloth printing, and original nanotechnology ink guarantee, this product has passed the weather resistance test - moisture resistance, temperature difference resistance, and light damage resistance.
Each item comes with a hardcover collection warranty, which details information about the item in both Chinese and English.
Paper & medium
Xuanying printing fabric
About the artist
Guo Xuehu was born in Dadaocheng, Taipei. In his early years, he followed Chen Yingsheng's practice of Chinese painting and watercolor, and also studied painting from Cai Xuexi. Later, he followed the ancients of the township. He paid attention to sketching, especially to the observation of Taiwanese trees and rocks, with strong glue color to express the unique local scenery, and used it to shine in the pre-war official art exhibition. In 1964, he moved to Japan, taking landscape and still life as the creative theme, and was influenced by Western painting, emphasizing three-dimensional performance. After that, Guo Xuehu moved to the United States, still focusing on landscape creation.