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Sizes & prices
| Size | Artwork only | With framing | Framing + acrylic |
|---|---|---|---|
| 67.8×49 cm | — | USD 170 | USD 196 |
Product details
Printing paper:
* The mounting and framing process is time-consuming and labor-intensive. Please allow 2–3 weeks for your order and thank you for your patience.
Poster size: 678 x 490 mm
Printmaking technique:
Printed by four-color offset lithography on G.F Smith Max Matt Ultra White 250 gsm paper.
Title:
A new series of photographs by renowned British photographer Martin Parr focuses on his favorite subjects—leisure and the seaside—which have run throughout his career. Known for his vivid colors and distinctive perspective, Martin collaborated with Wrong Shop and Rocket Gallery to create this exclusive series of posters, infused with his signature wit. This photograph comes from the 1997 photo book West Bay, depicting the seaside resort of West Bay near Bridport, Dorset. It was taken during the August 1996 bank holiday weekend.
About the artist
Martin Parr is one of the best-known contemporary documentary photographers and photojournalists. He is known for his satirical and anthropological perspective on modern life. Since becoming a member of Magnum Photos in 1994, he has used vivid colors and ironic compositions to explore the peculiarities of cultures around the world. Leisure, consumption, and communication are themes that run through all his photographs.
Martin Parr is a celebrated British documentary photographer known for his distinctive perspective and humorous, satirical observations of British society and culture. Born in 1952, he has attracted international attention since the 1970s.
Some of his principal characteristics and contributions are as follows:
Vivid color and the use of flash: Parr’s work is known for its saturated colors and frequent use of flash, even when shooting outdoors during the day. This technique gives his photographs a distinctive artificial quality and strong visual impact.
Observations of leisure culture and consumerism: He often photographs people at leisure, including beach vacations, shopping, parties, and travel. With a keen eye, he captures the absurdities and everyday details of consumerism, mass tourism, and class differences in modern society.
Humor and satire: Parr’s work is full of humor, but also carries a hint of satire. Rather than criticizing maliciously, he presents what he observes with a friendly yet objective distance, prompting viewers to reflect.
Photographic series: He created many well-known photographic series, including: The Last Resort (1983–1985): Documents everyday life at the seaside resort of New Brighton near Liverpool, showing working-class leisure activities during an economic downturn. It is known for its vivid colors and attention to detail. Small World (1987–1994): Explores the phenomenon of global tourism, capturing stereotypes and cultural clashes involving tourists and tourist attractions. Common Sense (1995): Explores the lack of “common sense” in contemporary society through numerous close-up images of everyday objects and scenes.
Photographic series: He created many well-known photographic series, including:
The Last Resort (1983–1985): Documents everyday life at the seaside resort of New Brighton near Liverpool, showing working-class leisure during an economic downturn. It is known for its vivid colors and attention to detail.
Small World (1987–1994): Explores the phenomenon of global tourism, capturing stereotypes of tourists and tourist attractions, as well as cultural clashes.
Common Sense (1995): Explores the absence of “common sense” in contemporary society through numerous close-up images of everyday objects and scenes.
Photography books and curating: Parr is also a prolific author and editor of photography books and has helped curate many photography exhibitions. He has also made significant contributions to the collection and study of photographic history, particularly photobooks.
Magnum Photos member: He joined the renowned agency Magnum Photos in 1988 and served as its president from 2013 to 2017, further cementing his standing in the international photography world.
Overall, Martin Parr’s distinctive visual language and profound insight into contemporary society and culture have made him one of the most important documentary photographers of our time. His work is both amusing and thought-provoking.
Paper & medium
Print medium:
Printmaking technique:
Four-color offset lithographic print on G.F Smith Max Matt Ultra White 250 gsm paper.
About the artist
Martin Parr is one of the best-known contemporary documentary photographers and photojournalists. He is known for his satirical and anthropological perspective on modern life. Since becoming a member of Magnum Photos in 1994, he has used vivid colors and ironic compositions to explore the peculiarities of cultures around the world. Leisure, consumption, and communication are themes that run through all his photographs.
Martin Parr is a celebrated British documentary photographer known for his distinctive perspective and humorous, satirical observations of British society and culture. Born in 1952, he has attracted international attention since the 1970s.
Vivid color and the use of flash: Parr’s work is known for its saturated colors and frequent use of flash, even when shooting outdoors during the day. This technique gives his photographs a distinctive artificial quality and strong visual impact.
Observations of leisure culture and consumerism: He often photographs people at leisure, including beach vacations, shopping, parties, and travel. With a keen eye, he captures the absurdities and everyday details of consumerism, mass tourism, and class differences in modern society.
Humor and satire: Parr’s work is full of humor, but also carries a hint of satire. Rather than criticizing maliciously, he presents what he observes with a friendly yet objective distance, prompting viewers to reflect.
Photographic series: He created many well-known photographic series, including: The Last Resort (1983–1985): Documents everyday life at the seaside resort of New Brighton near Liverpool, showing working-class leisure activities during an economic downturn. It is known for its vivid colors and attention to detail. Small World (1987–1994): Explores the phenomenon of global tourism, capturing stereotypes and cultural clashes involving tourists and tourist attractions. Common Sense (1995): Explores the lack of “common sense” in contemporary society through numerous close-up images of everyday objects and scenes.
Photographic series: He created many well-known photographic series, including:
The Last Resort (1983–1985): Documents everyday life at the seaside resort of New Brighton near Liverpool, showing working-class leisure during an economic downturn. It is known for its vivid colors and attention to detail.
Small World (1987–1994): Explores the phenomenon of global tourism, capturing stereotypes of tourists and tourist attractions, as well as cultural clashes.
Common Sense (1995): Explores the absence of “common sense” in contemporary society through numerous close-up images of everyday objects and scenes.
Photography books and curating: Parr is also a prolific author and editor of photography books and has helped curate many photography exhibitions. He has also made significant contributions to the collection and study of photographic history, particularly photobooks.
Magnum Photos member: He joined the renowned agency Magnum Photos in 1988 and served as its president from 2013 to 2017, further cementing his standing in the international photography world.
Overall, Martin Parr’s distinctive visual language and profound insight into contemporary society and culture have made him one of the most important documentary photographers of our time. His work is both amusing and thought-provoking.
